To continue to move forward in a World of Art that is losing its bearings, misled by a market that thinks only « DollArt », to keep the pleasure of creating, of painting, R.M.C. undertakes a return to the sources. The year 2009 is decisive. Passionate about prehistory and feeling increasingly close to Paleolithic artists, she sets off in search of her roots. Going back in time, she brings together a vast documentation on prehistory and decorated caves, of which she visits everything that is still possible to see in France, and recreates her graphic universe from the signs she reads in the shapes. which arise from the walls, then from stones or fossils gleaned over the days, these elementary forms which are said to be at the origin of pictorial art. It is this surreal universe, abstract and figurative at the same time, populated by birds, felines, vegetal and anthropomorphic forms, that she now shares with us from Pierre Rêvées, the result of work in residence, at museum of Lussac-les-Châteaux, on the stones engraved 14,000 years ago by the artists of La Marche and Fadets rock shelters. Twin prehistoric sites which are to stone engraving what the Lascaux cave is to parietal painting.